Mr Smith Goes To Washington [1939]

• Mr Deeds Goes To Town [1936]
• Twelve Angry Men [1957]
• The Philadelphia Story [1940]
• It Happened One Night [1934]
• You Can't Take It With You [1938]

Frank Capra's compelling attack on corruption and the abuse of political power was based on a novel, 'The Gentleman from Montana', and was made at a time (1939) when democracy and freedom of expression were under attack in Europe. Capra was clearly impressed by the symbolism of Washington - numerous scenes in the film portray the statues, memorials, the Capitol, images of revolution, independence and the myths / legends of 1776, the signing of the constitution, even a child quoting Lincoln's 'Gettysburg Address' and its allusion to emancipation.

But Capra was also aware that Washington is a compromise city with a counterfeit history - the US capital was moved from Philadelphia, and Washington (little more than a swamp) was chosen as the site for the new capital as a compromise to appease northern and southern political blocs. Capra, throughout the film, plays with this contrast between image and substance, between the solidity of the institutions and the fragility of the liberties they are supposed to uphold.

Capra has ideals and values - decency, honesty, humanity, politeness, compassion, truth, respect. He doesn't analyse these as cold philosophical or political themes - he dramatises them for the ordinary people who flocked to see his films. The portrayal can be sentimental, simple, simplistic even, aimed at emotional rather than cerebral appeal, but his ideals and values are no less genuine and no less valid for that. There are nuggets of sentimentality in "Mr.Smith goes to Washington", but there is a whole motherload of honesty and passion in the film too.

There is an outstanding cast - Stewart oozes honesty and sincerity, Claude Rains brings real presence to his role, Thomas Mitchell is charm and humour personified, Harry Carey captures attention in what is only a minor, if pivotal, role, and Edward Arnold is a glorious bad guy, absolutely convinced and convincing in his self-righteousness. Capra cared about his actors and this is as obvious here as in any other of his films. And, having said that, the stand out performance is by Jean Arthur as the hard-bitten Washington functionary who comes to believe again - she is wonderful, bringing to the screen a dynamic female presence in an era when women were too often only there for glamour and love interest. Capra contrasts her sophisticated political understanding and constitutional knowledge with the all male, all white assembly packed with men who seem reluctant (if not unable) to form their own opinions.

Capra blends comedy and drama to emphasise how corrupt the political machine had become and to expose the role of the media in papering over that corruption. His film attracted much popular acclaim - but was denounced by the Washington establishment (and by Jo Kennedy) as unpatriotic. Not, of course, that he changed much. The political machines have an even tighter hold on Washington, the multinationals a global straitjacket on the media.

A superbly filmed production, beautifully transferred (in black and white) to DVD. You get some interesting extras - a 10 minute interview with Capra's son (himself a film director and therefore able to combine professional knowledge of film-making with intimate knowledge of his father and memories of the times), and a highly informative commentary by him on the film. Excellent value, and one of Hollywood's all time great movies.

Why do I love this film?, 2003-11-11
Mister Smith Goes to Washington is a funny-serious-sad film. Perhaps most of Capra's films are, I haven't really analysed it. It seems to me that the film is probably 'fundamentally flawed' because it ends in such an unlikely way. I love it anyway. While the film has a lot of sentimentality in it the ending is actually quite horrific. I find that I can't help but imagine what it would be like to be next to a character in a film and when I watch this film I feel terribly moved by the emotions invoked by the actors. I'm not American and I can't imagine if that helps or hinders but I guess I'm not alone in my admiration from afar of the sentiment of America's Bill of Rights and Constitution and this film turns those ideas into a heartbeat that I find myself fearing will cease if Mister Smith doesn't succeed.

One of my all time favourite fims !, 2008-03-08
This is James Stewart at his absolute best. Frank Capra was a brilliant director and this is right up there with all his other classic movies. The story of the young, naive country boy heading off to the big city and initially making a fool of himself is brilliantly done. The interaction between Stewart and his co-star, the wonderful Jean Arthur, is a joy to watch. The finale with Stewart on his feet talking non-stop in the Senate is must see cinema. I would love to be able to go and see this on a big screen to fully appreciate just how good this movie is.

Best advert for America, 2004-03-19
This film is the best advert that the USA could ever produce for itself and ye old faithful democracy. Although the film is 65 years old, it is still fresh & inspirational to the current generation.

The lead and supporting actors are all superb. The film moves at a brisk pace and every scene & every line is important -nothing is wasted.

Watch it and enjoy the magic of an era gone by.