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A gripping, harrowing true-life story told with real skill, Touching The Void is one of the finest documentaries of recent years. It mixes in recreations of real life events with interviews, building up a head of tension that makes it hard to turn your eyes away from.

The story itself centres on two British mountain climbers by the name of Joe Simpson and Simon Yates. They head off to the Andes to climb Siula Grande, yet some way into the expedition, Joe Simpson falls and breaks his leg. At this stage he's still attached to the support rope of Simon Yates, who struggles to bear his weight, and faces an impossible choice between continuing to hang on and face certain death, or cutting the rope and sending his friend plummeting down the side of the mountain.

Not only is this an extraordinary story, but it's one that Touching The Void tells exceptionally well, with a focus and skill that rightly attracted the interest of award-givers. That those involved in the real-life adventure are telling you the story adds a real weight to the film, and director Kevin Macdonald--he who was behind the Oscar-winning One Day In September--weaves it all together quite brilliantly.

An unforgettable piece of cinema for many reasons, Touching The Void is an extraordinary telling of an extraordinary tale, and one that simply demands to be seen. Do make sure you see it. --Simon Brew
wow the real Superman, 2007-11-01
I vote Joe for the real superman award, the most amazing survival story ever, a must see.

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognised was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.

Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley
splendidly irritating , 2008-01-06
Schama is an irritating presenter -- "We all know the type," as he says in an aside while unaccountably chopping carrots -- but at least we have someone discussing art without using artspeak. And being irritated is better than being sent to sleep. For those who don't like the re-enactments, I can only say that this is a TV programme, not a book. Some are less than brilliant, and in this sense he's let down somewhat by his producer, but not so badly as in the History of Britain, where there were serious anachronisms between the reconstructions and the history.