|
|
 |
Josef Sommer |
 |
|
|
Rated: Suitable for 18 years and over
Staring:
Ralph Fiennes,
Angela Bassett,
Juliette Lewis,
Tom Sizemore,
Michael Wincott
Director:
Kathryn Bigelow
James Cameron wrote the script for Strange Days, a not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addictive, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
    Extremely underrated and misunderstood, 2006-02-16 Strange Days is a film which has recieved a lot of pretty unfair criticism. One of the main complaints is that this is simply a standard underworld thriller given some futuristic SF gloss. In a way this is kind of true but classic Noirish storytelling is just one of several themes / ideas Bigelow and Cameron explore with this project. Strange Days is an overly ambitious film- but as overly ambitious films go it's probably one of the best there is. Religion, the turn of the millennium, virtual reality, prostitution, police corruption, racism- it's a lot for just over two hours but the fact that this film works is testament to it's makers' talents. Yes, Cameron's gone incredibly rubbish since with the absurd titanic (technically brilliant maybe but without doubt his worst film- including Piranha 2!). As to Bigelow- what problem do other reviewers have with her "Choice of material"? Near Dark, Blue Steel and Point Break are all excellent films (although I admit bad reviews put me off bothering with the Harrison Ford submarine one). Strange Days also features standout performances from everyone in it. Fiennes is brilliant in one of his legendary transformational performances as the "likeable loser" Lenny (this was the first thing I ever saw him in and still have trouble accepting him for the posh Englishman he really is!) Juliette Lewis is great too- she sings for the first time here (actually two excellent P. J. Harvey covers) and her new band Juliette and the Licks are well worth checking out. Also having done the whole tormented loner/slightly crazy girlfriend thing in the past can tell you Lenny and Faith's story/relationship certainly is real, believable and really quite touching. Michael Wincott is also very memorable as bad guy Gant. As great as he was in The Crow and Dead Man I think this has to be the best long- haired, mad- eyed villain with a voice sounding like a brick in a cement mixer on his considerable list of such characters. In summary, Strange Days very nearly is as clever as it thinks it is. Yes, it is a lot of themes/content for one film (but considering you couldn't so much as swear on American TV in 1995 what other medium would have suited the material?) There are a great deal more reasons why Strange Days is a great film- too many to go into here really. Mainly though, it's just cool. It looks and sounds amazing and the soundtrack album's definately worth buying too.
|
|
List Price: £5.99
Our Price: £3.02
|
 |
|
|
|
|
|
Rated: Parental Guidance
Staring:
Jan Rubes,
Shaun Weiss,
Joshua Jackson,
Vincent A. Larusso,
Colombe Jacobsen
Director:
Robert Lieberman, Stephen Herek, Sam Weisman
    BUY!!!, 2010-01-11 A classic for any kid, this was bought for my older brother, but still it shows how great the films included, buy! all three films for this price, definitely worth buying :D
|
|
List Price: £17.99
Our Price: £6.40
|
 |
|
|
|
|
|
Rated: Suitable for 18 years and over
Staring:
Clint Eastwood,
Andrew Robinson,
Harry Guardino,
Reni Santoni,
John Vernon
Director:
Don Siegel
Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
    Top dog movie, 2008-11-12 This is a top thriller and a great DVD release. The extras are pretty good and a lot of the scenes look a lot clearer. A good job and recommended.
|
|
List Price: £13.99
Our Price: £0.94
|
 |
|
|
|
|
|
Rated: Parental Guidance
Staring:
Cybill Shepherd,
Robert Downey Jr.,
Ryan O'Neal,
Mary Stuart Masterson,
Christopher McDonald
Director:
Emile Ardolino
    Excellent Comedy, 2002-12-03 Here is a gem of a film. This feelgood comedy stars Robert Downey Jnr. as the reincarnation of Cybills Shepherds dead husband who meets and falls in love with his (now grown up) daughter, played by the understated Mary Stewart Masterson. Comedy and confusion ensues as mother and daughter both fall for the same man. With a good supporting role from Ryan O'Neal as cybills Shepherds lovelorn friend, this is one of those 80's classic movies sure to appeal to everyone.
|
|
List Price: £19.99
Our Price: £2.20
|
 |
|
|
|
|
|
Rated: Suitable for 15 years and over
Staring:
Alec Baldwin,
David Bowe,
Tobin Bell,
Gwyneth Paltrow,
Peter Gallagher
Director:
Harold Becker
Movie critic Roger Ebert made this amusing observation about Malice: "This is the only movie I can recall in which an entire subplot about a serial killer is thrown in simply for atmosphere". He's referring to the fact that this hokey but highly charged thriller is so packed with plot twists and red herrings that you'll soon find yourself so confused that you just have to sit back and hope that it will all make sense by the time the credits roll. It never does make much sense, but the movie at least has the look, feel, and twisted momentum of a really good thriller, and the talent on both sides of the camera is pretty impressive. Alec Baldwin plays a hot-shot surgeon who meets up with an old med-school buddy (Bill Pullman), whose wife (Nicole Kidman) has no objections when Baldwin moves into the upstairs room of their New England Victorian home. The situation's ripe for intrigue, suspicion, temptation, emergency surgery, legal proceedings, and just about anything else you'd find in a movie that desperately struggles to out-Hitchcock Hitchcock. Talk about McGuffins--this movie's chock full of 'em! When the plot thickens to the consistency and clarity of quicksand, you can still enjoy the darkly stylish work of master cinematographer Gordon Willis--or you can check out director Harold Becker's more coherent thriller Sea of Love. With Kidman and Baldwin working up a steamy lather, this one's just fun enough to be an agreeable waste of time. --Jeff Shannon
    GREAT STUFF, 2007-10-22 A proper thriller with a storyline, good acting and a couple of twists that could break a hip.
Who'd have thought you could dislike Nicole Kidman. The imaginary mother of my children plays a nasty, deceptive and frankly quite disturbed woman who seeks to claim compensation for a surgical mishap, engineered by her and her lover/surgeon Alec Baldwin.
Plans go astray as Bill Pullman, the deceived husband gets to the bottom (you see Nicole's incidentally) of the devious plot.
HOORAY THE FILM MAKERS
|
|
List Price: £12.99
Our Price: £2.96
|
 |
|
|
|
|
|
Rated: Suitable for 15 years and over
Staring:
Robin Williams,
Daniel London,
Monica Potter,
Philip Seymour Hoffman,
Bob Gunton
Director:
Tom Shadyac
Patch Adams raises two schools of thought: there are those who are inspired by the true story of a troubled man who finds happiness in helping others--a man set on changing the world and who may well accomplish the task. And then there are those who feel manipulated by this feel-good story, who want to smack the young medical student every time he begins his silly antics. Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch" but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humour and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease", he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful, do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles and the kooky folks who will keep you smiling at the end. --Jenny Brown
    Excellent film, 2009-07-01 I bought this dvd for my father as a birthday present and he absolutely loved it.It's one of those films that everyone can enjoy - young and old and will have you both laughing and crying.I would highly recommend this dvd.An all round feel good film and Robin Williams is fab as usual.
|
|
List Price: £9.99
Our Price: £2.58
|
 |
|
|
|
|
|
Rated: Suitable for 15 years and over
Staring:
Nicolas Cage,
Téa Leoni,
Don Cheadle,
Jeremy Piven,
Saul Rubinek
Director:
Brett Ratner
Jack Campbell (Nicolas Cage) is a quintessential Wall Street shark, scoring killer deals by day and shallow escort sex by night in The Family Man. Carp all you want about this derivative premise, with its marginal stereotypes and biased embrace of domestic bliss and dirty nappies. The simple fact is, The Family Man works like a charm. Under the assured direction of Brett Ratner (Rush Hour), this holiday crowd-pleaser offers comedy and chemistry in equal measure, making the hilarity of Jack's predicament a smooth catalyst for that rarest of film romances: the marital love story. Leoni is Cage's perfect match as Jack's idealised but imperfect wife and the films's appeal largely derives from its awareness that any life has its pleasures and pains. While it only flirts with the dark desperation that makes It's a Wonderful Life a classic predecessor, The Family Man is an irresistible what-if fantasy and even its debatable ending rides on a wave of genuine warmth and sentiment. --Jeff Shannon, Amazon.com
    Christmas Carol with a twist, 2007-12-28 Nicholas Cage shines in this movie which sees him going to bed a successful but lonely businesman one Christmas eve and waking up a married man with two children.
Essentially he is being given a glimpse at the life he could have been living had he made a few different choices. As you can imagine it is a dramatic change leading to some comedic scenes as he tries to figure out who his is, who other people (like friends and family) are and what he's supposed to be doing! He eventually starts to fall into the role of husband and father which is heart-warming to watch as it is rather adorable.
Great movie that is good for any time of the year to be honest. Light and feel good in just the correct proportions.
|
|
List Price: £19.99
Our Price: £2.90
|
 |
|
|
|
|
|
Rated: Suitable for 15 years and over
Staring:
Harrison Ford,
Kelly McGillis,
Danny Glover,
Josef Sommer,
Viggo Mortensen
Director:
Peter Weir
When Samuel (Lukas Haas), a young Amish boy travelling with his mother Rachel (Kelly McGillis), witnesses the murder of a police officer in a public restroom, he and his mother become the temporary wards of John Book (Harrison Ford), a detective who's been assigned to solve the crime. After suspect line-ups and mug-shot books yield nothing, Samuel, in the most memorable scene of the film, recognises the murderer as a narcotics agent whose picture he sees in the precinct. Once Book realizes that the police chief is in on it, too, he whisks Samuel and Rachel back home to Amish country, where he himself goes into hiding as a plain Amish man. The juxtaposition between the life of the Amish and the violence of inner-city police corruption work surprisingly well for the story, and Kelly McGillis as the falling in love widow gives an almost perfect performance. Directed by Peter Weir, the film is extremely successful in drawing the viewer into its world and, accordingly, is immensely entertaining. The only thing that mars its polish is the one-dimensional, almost cartoonish handling of the upper-echelon police corruption--a subtler, more realistic treatment of this aspect of the story would have rendered the film near perfect. --James McGrath, Amazon.com
    Above all, great directing, 2008-10-17 This is all about a great directing job by Peter Weir. The cop story is just the excuse to let feelings out from the main characters. Harrison Ford and Kelly McGillis give outstanding performances, mainly due to the way the script is done: the say much more by the things they don't say. Silences are more important than words. The bathing scene is the best example. Peter Weir is able to convey all these feeling and still maintaining a great pace and rhythm. John Seale's cinematography and Maurice Jrre's music are both remarkable. Saw it first back in 85 (I was 11) and now again (I'm 31) and still amazes me... Such a pity that Kelly didn't get the career we thought she would have...
|
|
List Price: £15.99
Our Price: £4.02
|
 |
|
|
|
|
|
Rated: Suitable for 18 years and over
Staring:
Samuel L. Jackson,
Vanessa Williams,
Christian Bale,
Jeffrey Wright,
Busta Rhymes
Director:
John Singleton
Samuel L. Jackson makes a gleefully updated John Shaft in John Singleton's homage (not remake) to the early 1970s action classic, picking up where Richard Roundtree's legendary Shaft left off. The Manhattan-set film features excellent performances, dynamic action scenes and witty one-liners (Jackson's Shaft: "It's my duty to please the booty"--although the line's deceptive: there's a surprising lack of sex in the film). Unfortunately, it's offset by a surprisingly uninspired, predictable, one-dimensional story, penned by Singleton, Richard Price and Shane Salerno. The story, in which Shaft investigates the murder of a young African American, is without suspense, since from the start the audience knows that rich white boy Walter Wade (Christian Bale) did the deed and that Shaft is going to kick his ass, big time. That said, charismatic performances--from Jackson (who, in keeping with the times, is more volatile and fiery than his predecessor), Toni Collette (as a frightened witness), the villainous Bale and the utterly amazing Jeffrey Wright (Basquiat)--make the film enticing and watchable. Look for a cameo by the original Shaft's director, the legendary Gordon Parks, and fans of the original should note that a still stunningly handsome Roundtree briefly appears as Jackson's uncle. --N.F. Mendoza, Amazon.com
    Jaxmeister General Approves, 2010-01-07 HEELLLOOOOOOOOOO!!!!! Aw Gawdamn! Jaxmeister General would just like to say that that wowz THE BEST FILM HE'S EVER GONE SEEN! He would also like to say that if anyone gives it a bad review, he will be paying them a visit to ask them why they didn't like his film. He would also like to say hi to his fellow JaXoNiTe Beyn. Keep own Jaxin' Beyn!!
|
|
List Price: £15.99
Our Price: £0.76
|
 |
|
|
|
|
|
Rated: Suitable for 15 years and over
Staring:
Meryl Streep,
Kurt Russell,
Cher,
Craig T. Nelson,
Josef Sommer
Director:
Mike Nichols
As a tale of self-discovery, Silkwood, Mike Nichols' 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer's company, works well enough. Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets 'em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can't decide whether it's quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama. On the DVD: Silkwood is well-served on this DVD release by sharp picture and sound quality (Georges Delerue's poignantly jaunty country and western soundtrack benefits in particular), but the extras are static and add little to the package apart from a strictly "budget" feel: standard biographies of the stars and director with some pretty pointless trivia facts, and a brief history of the production. There's nothing here that even the most generalist of film fans won't already know. A director's commentary explaining why the film loses its bottle in the final reel would be more interesting. --Piers Ford
    Gripping!!, 2005-02-20 This a truly gripping film, which is based on true account, which just makes it even better. The acting is superb - from Meryl Streep & Cher. Very sad & unbelievable tale - worth watching again & again.
|
|
List Price: £5.99
Our Price: £2.92
|
 |
|
|
|
|
|
|