Heather Angel

Peter Pan's definetely one of the best Disney movies. The plot is great, the characters are convincing (even Tinkerbell) and emotions are never over-the-top or sacharine. There's enough action in it to keep you spellbound (even at 33!!).

The great thing about is that the whole story makes completely sense in the eyes of many a kid (I have 3). It feeds on their imagination & still expects them to make clever judgements.

Enough said, it's a good story, brilliantly drawn. Modern day kids still love it!

Ford made 'The Informer' the same year he made the equally brilliant, though entirely different, 'The Whole Town's Talking' with Edward G. Robinson in a rare comedy performance. They came long before the westerns for which Ford's name has become so well-known and these two earlier films show what a versatile and talented director he really was.

Peter Pan's definetely one of the best Disney movies. The plot is great, the characters are convincing (even Tinkerbell) and emotions are never over-the-top or sacharine. There's enough action in it to keep you spellbound (even at 33!!).

The great thing about is that the whole story makes completely sense in the eyes of many a kid (I have 3). It feeds on their imagination & still expects them to make clever judgements.

Enough said, it's a good story, brilliantly drawn. Modern day kids still love it!

Lina's passion for Johnnie is clouded by each new revelation about his apparent dishonesty, from clandestine gambling to real estate development schemes; more troubling are clues implicating him in the death of his best friend, and the prospect that Johnnie may be slowly poisoning Lina herself. By the time we see him ascending a darkened staircase with a suspicious glass of milk, an image made all the more indelible through the spectral glow the director captures in the glass, the evidence seems damning indeed. In fact, even as Hitchcock stacks the deck against Johnnie, and takes full advantage of Grant's skill at conveying such menace, the director also dots his landscape with visual clues to Lina's own neurotic (and erotic) obsessions. The final scene forces us to reevaluate her behavior while leaving enough of a cloud over Johnnie to rob him, and us, of a complete exoneration. It's a wicked, unsettling payoff to a brilliantly executed thriller. --Sam Sutherland
Suspicion, 2009-08-08
I'm a collector of Cary Grant films so it was necessary to get this one as well. Loved it as CG plays a man who MIGHT be evil.