Harrison Ford

And it’s been well worth the wait. Director Ridley Scott’s decision to head back to the edit suite and cut together one last version of his flat-out classic film has been heavily rewarded, with a genuinely definitive version of an iconic, visually stunning and downright intelligent piece of cinema. Make no mistake: this is by distance the best version of Blade Runner. And it’s never looked better, either.

The core of Blade Runner, of course, remains the same, with Harrison Ford’s Deckard (the Blade Runner of the title) on the trail of four ‘replicants’, cloned humans that are now illegal. And he does so across an amazing cityscape that’s proven to be well ahead of its time, with astounding visuals that defied the supposed limits of special effects back in 1982.

Backed up with a staggering extra features package that varies depending on which version of this Blade Runner release you opt for (two-, four- and five-disc versions are available), the highlight nonetheless remains the stunning film itself. Remastered and restored, it remains a testament to a number of creative people whose thinking was simply a country mile in advance of that of their contemporaries. An unmissable purchase. --Jon Foster
Great Sci Fi Movie, 2010-01-16
I saw this ground-breaking Ridley Scott film at the cinema when it first came out and have only seen it a handful of times on TV since then. As others have said, it is a stunning movie and over 25 years later is still one of my favourites. The DVD brings it all back, and this film is a must have for my collection.

The premise is fairly simple. Griffith’s lowly secretary gets a job with Weaver’s megabitch boss. The former is unhappy at home and work, while the latter is unscrupulous and underhand, and happy to pass off one of Griffith’s good ideas as her own. Yet when Weaver’s character is incapacitated, in steps Griffith, who quickly attracts the professional and personal attention of Ford, as she attempts to navigate her way to the top--until Weaver reappears on the scene…

In lesser hands, all this could become routine Hollywood nonsense, yet here it really clicks. Griffith effectively brokered her career off the back of her performance here, yet all three leads are in fine form, with a strong supporting cast and a delicious script to fall back on. Elements have certainly dated, and the world in many ways has moved on, yet there’s still plenty of room in it for films as good as this one.--Jon Foster
One that doesn't date, with no Alien or Ark in sight, either!, 2008-09-15
From the sweeping opening scene, with that classic 'Let the River Run' playing across it, to the closing camera pan-out, with Griffiths in her office, fading into a wall of similar offices, a great film.

There is a similar vein to 'Educating Rita', with the underdog, stuck where everyone else thinks she's happy, breaking out and making something of it. But this is a US film, with a lot of hairspray (oh, the 80s!), immature corporate bosses, the superbitch, and none of them have time for the secretary with ideas and a brain.

The killer scene is where Weaver's character is confronted and suddenly cannot talk her way out. The big scene though is where it dawns on Griffiths that she is the boss, not the secretary - a recurring theme throughout is of her being so used to being the secretary that she reacts like one all the time, and cannot bring herself to tell Ford that she's not who he thinks she is - 'no-one listens to the secretary'.

It’s said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with ‘70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn’t disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror… not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there’s real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century’s most infamous criminals (the Nazis). Now that’s entertainment. --Sam Graham

Indiana Jones and the Temple of Doom

It’s hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas’ 1980s adventure trilogy, to be just that. That doesn’t mean it’s a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it’s also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man’s chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character’s shortcomings. --Sam Graham

Indiana Jones and the Last Crusade

The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine

Indiana Jones and the Kingdom of the Crystal Skull

Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
Indy, 2010-01-20
This is all the Indiana Jones films in one boxset the four film first three are well known even the fourth is known but not so much all the films have Indy and his trusty whip off on some trip.

We see the first actor to play James Bond as Indy's father in the third all these films are great for Harrison Ford fans and just for action film fans I think this film set is great.

If you a the full set of Indy film then this boxset is for you each has very few extras but enough to keep people that like them happy.